Sunday, February 20, 2011

The Will Wins and Should Wins of the 2011 Academy Awards

I think we all need to take a moment to realize a fundamental and heartbreaking truth. 2010 was a terrible year for movies; not in the sense that most of the films that came out were necessarily terrible in themselves, but most suffered from being merely adequate or eminently forgettable. A lot of people seemed shocked that there were very few surprises amongst this year's Academy Award nominees when in truth all of the films that were nominated for best picture were the films that garnered the most critical attention in the first place. Does that make all of the 10 nominees deserving? Not really, but I guess that is a good benchmark for some people.

I must admit, in year's past when I have made my Academy Award picks, it was often a lot harder and required more than ten minutes of thought. This year, I spent more time convincing myself that such a blog post is even necessary in the first place. With the nominees being less than surprising, the only hope of a shock will come this year when I am proven wrong. Even if I don't necessarily agree with the Academy voters, it will at least prove that something unpredictable happened this year.

And so I don't give anything away right off the bat, I am going to list the "lesser" categories first before getting into the "big ticket" items. Just like a real awards show would do. The way I always do this (since this is the first time posting my opinions in this particular blog) is that I choose what I think will win and what I think should win. Quite often the two are different, and there is often more than one film in the "should win" category.

Best Short Film, Live Action

Considering that I have not been able to see or find most of the films in this category, I must somewhat recuse myself. I can't in good conscience do a "should/would" with this category. I have only seen The Confession and The Crush. If I had to give an edge to one over the other, it would have to go to The Crush, but I fear this story of a young child who develops a creepy crush on his teacher, is far too dark and unusual for the taste of the Academy at large. As for The Confession, word on the street is that this is the film to beat in this category, but this tale of young children learning for the first time about Catholic guilt did very little for me and felt like it was covering ground I had seen many times before. God of Love sounds like a quirky off beat comedy, which makes it's inclusion here a bit of a mystery to me. Na Wewe is the most socially conscious film of the bunch, which might give it an edge with more politically inclined voters. Wish 143 sounds disturbingly like a late night Cinemax film that I remember a few years ago (the name escapes me), but only a serious and more touching version.

Best Animated Short Film

Will Win: Day and Night
Should Win: The Gruffalo, The Lost Thing

The Pixar juggernaut is a hard one to overcome even when most films end up being computer animated these days. Plus, if Toy Story 3 gets snubbed in the Best Animated Feature category, look for it's animated lead in to take the prize despite not being the best of the bunch. The BBC adaptation of The Gruffalo and the Aussie produced The Lost Thing are far more whimsical, inventive, and fun. Day and Night is a decent short with name recognition, but in terms of Pixar shorts I found it pretty forgettable. Let's Pollute is fun in a fake 1950s film strip sort of way, but is kinda preachy and definitely corny at times. Madagascar: A Journal Diary is a gorgeous looking (read: kinda boring) live action painting that will probably look too obtuse for voters to get behind.

Best Documentary Short Subject

Will Win: I really can't say. I don't know the political leanings of the always changing Academy this year
Should Win: The Warriors of Qiugang

Even the political issues that usually drive the Academy Awards are muddled this year. Are they going to vote based on environmental issues? Education? Economics? The wars overseas? I have no clue and what makes it harder is the fact that two of the nominees, Poster Girl and Strangers No More, are films that deal with hot button issues that usually cater to the Academy's tastes, but feel very amateurish in terms of filmmaking prowess. Sun Come Up is a well done piece about a tribe of native people forced to relocated to a war zone due to climate change. The Warriors of Qiugang is my personal favourite; focusing on a Chinese community sick of being poisoned by a chemical manufacturer and their struggle to make things right for the future. I was unable to track down a copy of Killing in the Name.

Best Documentary Feature

Will Win: Exit Through the Gift Shop
Should Win: Exit Through the Gift Shop, Restrepo, Inside Job

It is a fairly well known fact that sometimes the Academy will give an award to someone just to see what their speech will be like if they were to win. Can you think of a better person to try to place on stage than the elusive and unendingly hip Banksy? Luckily the film on this list that was seen by probably the largest number of Academy voters is also the most entertaining and fascinating of the bunch. Restrepo, however, was also one of my ten best films of 2010 (alongside Exit) and I would be just as happy to see it walk away with the upset. Inside Job also deserves a special notice for making a film about finance watchable and not as boring as I would have expected it to be. And as much as it pains me to say it, Gas Land and Waste Land are both overrated.

Best Visual Effects

Will Win: Inception
Should Win: Inception, Iron Man 2

Before I explain anything else, where the hell are Scott Pilgrim Vs. The World and Tron: Legacy? Both films deserved nominations, and in the case of Tron, probably a win. Say what you will about the film itself, but the visuals in Tron (as well as in the "why the hell does everyone hate this film all of a sudden" Iron Man 2) are spectacular. The visual effects in Hereafter and Alice in FUCKING HELL ASS SHIT Wonderland are muddled messes that are in no way more deserving than the two snubs. As for Harry Potter and the Deathly Hallows Part 1, it is a Harry Potter film and the visuals deliver exactly what I would expect from a Harry Potter film. No more, no less. Inception combined a lot of different elements into it's visual effects and created the most comprehensive effects clinic of the year. And I am sorry, but look at the final fight in Iron Man 2 (as well as Whiplash's first appearance) and tell me they do not at least look great.

Best Make-up

Will Win: The Wolfman
Should Win: Any of them, honestly.

I am really not joking when I say that The Wolfman will win for best make-up. Mostly because there is a lot of it on screen even when you take away the transformation and gore effects. The make-up is the least shoddy thing about The Wolfman. The Way Back comes close to matching Wolfman in terms of sheer amount of make-up on screen (Colin Ferrell's tattoos to the ravages of being stuck in the desert for months on end), but it is less showy at times. Barney's Version is also the kind of make-up the Academy favours more than any other kind. Any time you age someone both younger and older in a film and make it look convincing, it is pretty much a ticket to an award nomination.


Best Sound Effects Editing

Will Win: Inception
Should Win: Inception, Tron: Legacy

Not much to really say here. I still haven't seen Unstoppable, but I am sure I will get around to it at some point. The rest of the nominees here are credible and solid, but Inception will probably get the nod by virtue of being the most well liked technical challenge of the year. Tron incorporated a lot of musical cues and stings alongside some of the best sound effects work of the year. Toy Story 3 is probably nominated based on the film's climactic scene in the junkyard alone, which really is quite an achievement in sound design. I really don't remember if the sound effects editing was great in True Grit, but in the other sound category, it is more than deserving. Then again, in a movie like True Grit, is it something you should actively notice at all?

Best Sound Mixing

Will Win: The Social Network
Should Win: The Social Network, Inception, True Grit

The sound mix in The Social Network is one of the best I have ever heard, but in order to explain why, I would have to get very technical and nerdy. Just rent the Blu-ray and watch the great documentary that accompanies the film and you will understand why. Inception just sounds awesome, but in a way, I wouldn't have expected any less since the whole film (much like every other Nolan film) is just a well made technical stunt. The sound mix for True Grit is really an unsung hero of the film and sometimes the noises that permeate the most quiet moments of the film send chill up and down my spine. The King's Speech is a great film, but the sound mix only gets to show off at the beginning of the film and is pretty standard from there on in. As for Salt... honestly, I can't even make a joke. That entire movie is almost blanked from my memory.

Best Original Song

Will Win: "I See the Light" - Tangled
Should Win: "If I Rise" - 127 Hours, "I See the Light" - Tangled

"I See the Light" is one of the best Disney songs in recent memory, so throwing my support behind this one doesn't feel too wrong to me. I do enjoy "If I Rise" a bit more, and considering how hot A.R. Rahman is these days and how 127 Hours will most likely get shafted in every other category, it can not be discounted. Country Strong, while a film based around music, is too close to last year's Crazy Heart to be taken too seriously (and the movie sucks something fierce). And don't ask me what I think of Randy "I ONLY KNOW ONE FUCKING SONG AND I PLAY IT EVERY FUCKING YEAR" Newman. I love Toy Story 3, but I pray to every God on heaven and Earth that he doesn't win.

Best Score

Will Win: The Social Network
Should Win: The Social Network

In some of the best scenes in The Social Network, the score from Trent Reznor and Atticus Ross literally moves the film along. The other nominees are all great, but with the possible exception of Inception, they aren't all that memorable. And Inception is really only known for BWWWAAAAAAAHHHHHH. This one seems oddly like a lock to me, but I could be wrong.

Best Costume Design

Will Win: True Grit
Should Win: True Grit

Confession time: You should never listen to me with regards to this category. I have never had a worse track record in picking the winner with any other category. I am always looking for costumes that I think I haven't seen before or the ones that I think took the most thought and labour to make. It is a delicate balance between the two and I often end up picking the wrong thing. I will go on record as saying that I think True Grit had the best costumes of the nominees and I think it has a genuine chance of winning. Having said that, please ignore me on this one at all costs.

Best Art Direction

Will Win: Inception
Should Win: Inception, True Grit

There are several different levels of excellent art direction on display in Inception that do not require ornate visual effects to show them off. From Art Deco to inner city to a James Bond homage, there is more coherent thought that went into the visual design Inception than any other film in this category. Although, True Grit is not without a certain visual flair. As for Alice in Wonderland, could you even really see the details in the sets in 3-D? It was all washed out. Why make a film so potentially visually stunning and then render your visuals virtually unwatchable? King's Speech is a good looking, but pretty standard approximation of a time and place, but it could be enough to sway voters based on sheer volume of set dressing. Harry Potter again delivers the goods, but it is no more or no less than what is expected.

Best Editing

Will Win: The Social Network
Should Win: The Social Network

Anyone who knows how David Fincher works knows that the man likes to shoot A LOT of footage. Pretty much every scene in The Social Network was shot close to 100 times. This is not an exaggeration. That is a fact. Again, this feels like a one horse race.

Best Cinematography

Will Win: The Social Network
Should Win: Any of the nominees, but The King's Speech

Before I go into why the other four films are more deserving, let me remind you that I did choose The King's Speech as my favourite film of 2010. I am not trashing it or being hard on it in any way. I just think that it really isn't all that deserving in most of these categories. Honestly, The King's Speech had the least flashy camera work out of any film on this list. The Social Network is a cameraman's wet dream and True Grit's lenser Roger Deakins is about fifteen years past due for a credit he rightfully deserves. Inception is pretty inventive and Black Swan might be one of the best films shot on 16mm in recent memory. When you take all that into account, what does King's Speech really have visually? In truth, this is really a pretty close race at the moment between The Social Network and True Grit. Neither would exactly be an upset.

Best Animated Feature

Will Win: Toy Story 3
Should Win: Much like Best Make-up, any of them

Toy Story 3 has brand name recognition on it's side and seeing as it caps off what ended up being a trilogy, it might as well win a best picture award of some kind. But there really couldn't have been three better choices. The Illusionist is phenomenal and How to Train Your Dragon was one of the happiest surprises of 2010.

Best Foreign Film

Will Win: Biutiful
Should Win: Biutiful, Civilization

For as many detractors as Biutiful has, it has many more ardent supporters that hail the film as Innaitu's best work. The Danish selection Civilization is also pretty deserving a gaining a lot of momentum. Incendies is good, but not quite up to the level as the two front runners. Dogtooth is pretty original to say the least, but it is damn weird and probably not something the Academy would readily embrace. I was unable to see Outside the Law before posting this list.

Best Original Screenplay

Will Win: Inception (Christopher Nolan)
Should Win: Inception, The King's Speech

Sure, Inception is confusing, but it takes the time to set up a world in which anything is possible. It should be shown in classes in Sci-fi screenwriting classes for years to come. It is proof that if you take just a second to explain something, you can easily focus on your characters and plot without dwelling on the more outlandish and possibly suspect elements of your story. The King's Speech isn't as flashy a film as Inception, but it is a damn good script. Another Year is more great work from Mike Leigh, but I fear it will just get lost in the shuffle since it isn't exactly his best work. The Fighter is more of an actor's film than a writer's film, especially in this highly cliche canon of boxing flicks. The Kids Are Alright has some good dialog, but is adequate on a good day.

Best Adapted Screenplay

Will Win: The Social Network (Aaron Sorkin)
Should Win: The Social Network BUT...

I have been dreading this category more than any other. Not because it was such an easy choice. I dreaded it because I fucking hate Aaron Sorkin as a person with nearly every fibre of my being. Have you ever looked at someone in an interview or an awards show or in behind the scenes footage and never seen one redeeming factor about the person that you are watching? That is exactly how I feel about Aaron Sorkin, the creator of some of the most self-indulgent pieces of trash television in the past 40 years. I'm sorry, but The West Wing is a terrible show that wasn't always a terrible show. The first season was great, but every subsequent season was chock full of groan worthy jokes that would make Quentin Tarantino think twice. The Social Network shows off how Sorkin's writing can be excellent in small doses (and when reigned in by a director who constantly calls bullshit on him). Plus, if he gets on stage, expect another "strive for excellence and nothing less and you can be exactly like me" style platitude that will make me run to get a sandwich. I love the movie and I admire what it accomplished, but I will never ever in a God damned millennium like Aaron Sorkin. There are other nominees? True Grit and Winter's Bone could be surprises. Much like Inception, 127 Hours is more of a technical achievement and the story itself comes from a somewhat suspect and biased source. And could someone please explain to me what the heck Toy Story 3 was adapted from because I still haven't found an explanation.

Best Supporting Actress

Will Win: Hailee Steinfeld - True Grit
Should Win: Steinfeld, Helena Bonham Carter - The King's Speech, Melissa Leo - The Fighter

The Academy loves it when a child or young adult actor knocks a role out of the park like Hailee Steinfeld does in True Grit up against heavyweights like Jeff Bridges, Matt Damon, and Josh Brolin. Plus, the story really centers around her character, technically making it a lead role by definition and therefore a much harder one to play by an actor of any age. Carter proves that she can actually play someone other than a black-haired, overly made up kook and singlehandedly removed herself from the list of actors I would have written off last year with her performance as the future queen. (The same could not be said of Robert DeNiro. I fear the man is dead to me.) Leo delivers a great performance as a mother who doesn't realize that she is hurting her son with her "best intentions," but her votes will likely be split with co-star Amy Adams (who is still really solid in The Fighter). Jacki Weaver was also the best thing about the equally overlooked and overrated Animal Kingdom.

Best Supporting Actor

Will Win: Christian Bale - The Fighter
Should Win: Bale, Jeremy Renner - The Town

Maybe it is me showing a Boston based bias here, but I can safely vouch that I have seen crackheads like Christian Bale's character in The Fighter and loyal hot heads like Jeremy Renner in The Town. Their performances honestly ring true more than any other performances in a Boston based film in recent memory, including everyone who wasn't Mark Wahlberg in The Departed. Bale gets the edge on good will and sheer commitment to his craft. If you told me he actually smoked crack to get into character, I would have believed it. Renner proves he was no fluke after The Hurt Locker, but I don't think this is his year and the lack of any other nominations for his film doesn't bode well. John Hawkes was great in Winter's Bone, but I still wonder just how many people saw the film. Mark Ruffalo is having fun with a pretty ridiculous character in The Kids Are All Right, but I seriously doubt it is enough for a serious upset. As for Geoffrey Rush, I simply saw him as playing Geoffrey Rush. He has to play the straight man to a much flashier character and he is smart enough to blend a bit more into the background at times. A bit too much when matched against Colin Firth's performance in The King's Speech.

Best Actress

Will Win: Natalie Portman - Black Swan
Should Win: Portman, Jennifer Lawrence - Winter's Bone, Nicole Kidman - Rabbit Hole

I know I am in the minority on this, but I really didn't like Black Swan as a whole. I liked elements of the film, but I never thought they amounted to anything special when put together in a complete package. The one thing that consistently gripped me, however, was Natalie Portman. She conveyed the perfect balance of naiveté, malice, vanity, and warmth that the character required. It is a spectacular performance at the heart of an otherwise deeply flawed film. Jennifer Lawrence commands the screen in Winter's Bone in a similar fashion as Portman, but again, I doubt enough people saw the film. Rabbit Hole might be the one film to have gotten the biggest shaft at this year's awards, and while Kidman is excellent and a Hollywood heavyweight, she already has an award and I feel she will suffer the same fate as Lawrence. Ditto Michelle Williams for Blue Valentine since I haven't even gotten around to seeing it yet. Look for the biggest dark horse to come in the form of Annette Benning who was the best thing about The Kids Are Alright and a reminder of just how capable an actress she is.

Best Actor

Will Win: Colin Firth - The King's Speech
Should Win: Firth, Javier Bardem - Biutiful

Until I saw Biutiful, I thought this race was all but over. I still give the edge to Colin Firth's work in The King's Speech. Generally as a rule I don't gravitate towards people playing historical figures or pop culture icons. I feel that they too often fall into the realm of impressions instead of performances. Firth gives the rare example of a performance in such a role and manages to make a monarch look like an easily relatable everyman. As for Javier Bardem, he arguably has a much harder role to play. Bardem created his character from scratch, and when such a character is a dying father who stays loving to his children while all his illegal enterprises are falling down around him, it is much harder to get an audience to connect with such a person who is equally vile and sympathetic. Jesse Eisenberg is great at what he does, but I doubt the Academy is ready to see past his style of acting just yet and they will probably use this category as a chance to honour another major nominee that isn't The Social Network. James Franco will have his day, just not yet despite putting on a mostly one man show in 127 Hours. Jeff Bridges won last year and all the talk of "The Dude" seeping into his True Grit persona dampens his chances considerably.

Best Director

Will Win: David Fincher - The Social Network
Should Win: Fincher

I think I can explain why Christopher Nolan was snubbed. Nolan is very great at creating films that are seen mostly as highly stylized technical exercises before they are viewed as films. Other directors might be focused on just what makes him tick rather than the craft that he puts into his work. Having said that, the spot on this list that ended up going to David O' Russell should have gone to Nolan since I don't have very many nice things to say about O' Russell's direction of The Fighter which offers nothing new and often lapses into unwarranted and unnecessary misogyny. The Coens do pretty much what they normally do and are generally more heralded as writers than directors, True Grit being no exception. Aronofsky toys with the same level of misogyny as O' Russell, but at least Black Swan is upfront about it's motives. Aronofsky is probably too green still to win this one, though. Tom Hooper can't be counted out for The King's Speech since it is very much an actor's film and someone had to do all the directing of them, but his cast might overshadow the great work he did. Fincher is a pretty obvious choice at this point for making a film about a potentially boring subject both kinetic and entertaining. Also because...

Best Picture

Will Win: The Social Network
Should Win: The Social Network, The King's Speech

...I just don't see how a film as timely as The Social Network could lose best picture. Sure, time has proven me wrong time and time again, but it just feels like that this if both Fincher and Sorkin take awards in their respective categories that The Social Network just can't lose. The King's Speech is a film that I had more of an emotional connection with, but even I feel that it is typical Harvey Weinstein Oscar bait. It is a great film and the only one I feel is capable of upending The Social Network. I wouldn't even see it as an upset and I doubt a lot of people would. The other 8, however, would probably be seen as major upsets. Inception is the highest grossing film on the list and took top honours in polls of average folk who probably haven't seen most of the other films that were nominated, but I really don't think it is the best of this list. The Kids Are All Right and The Fighter are pure filler to round out a top ten and nothing more. Black Swan's star has faded considerably in the weeks leading up to the Oscars, but would be voted "most likely for a true upset." Toy Story 3 will get it's award most likely in the Animated Feature category (with a very outside shot at a screenplay nod) and is still a bit of a lightweight to compete here. There is nothing I can say about the awesome Winter's Bone that I haven't already said in every other category it was nominated in. 127 Hours is... 127 Hours. And True Grit is excellent in it's own right, but I dare say it's recent box office success might have hurt it's chances. It is also just being out shined.


Monday, February 7, 2011

Don't Bring Up Your Past. We're Not Trying to Take Long Term Adventures

7 February 2011

You took me in your arms and held me close. Nothing too remarkable seeing as we had been doing that for the past two weeks. Our burgeoning relationship is still in it's infancy, but I haven't felt a connection like this one in years and never one this strong. You are afraid and I can tell. I can't say I am any less scared. Not because of who I am, but because of who I used to be. My writing is predicated on a very specific understanding between the both of us. My past has been a terrible, dark thing that no matter how hard I try, I cannot distance myself from it.

"I'm just afraid that I am going to be a bad influence on your writing. You are just so happy right now, that I hope it isn't too hard to go on writing about your exes and your family."

All I could think of in my pop culture related mind was a quote from Moulin Rouge that I didn't bother to say aloud for fear the reference would be lost amongst the generally sillier pillow talk:

"You're going to be bad for business. I can tell."

The rest of the afternoon was a blur, but a pleasant blur. Then the buzz began to wear off and I set about to do a bunch of work that I should be getting done and I get hit with multiple pieces of bad news in the middle of a crunch time situation.

My mind does what it always does in these situations. These are the situations that I don't expect you to ever understand, my love. The moments when everything in my past comes back to haunt me. These are the nights when even the smallest setbacks feel like the biggest failures. It is not your fault and there isn't necessarily anything you can do to change them.

"The path into this heart is filled with corpses and strewn with body parts of those who came before. So just give up."

I know you know what that is from. I also know you know exactly what that feeling is like. We are kindred spirits in so many respects, but I don't expect you to understand what it is like when I get into moods like this.

I take my nightly dose of medication and prowl the archives sleeplessly for me at my unfiltered worst. Not in terms of writing because a lot of this is strangely beautiful. I just want you and everyone to know just how hard it is sometimes. I don't want to hide from you any longer than I have to. If you accept me for this, you don't even have to say anything about it. This could all be a wordless agreement. You can also ignore it and I wouldn't consider it callous or uncaring of you. In truth, this might be best taken in small doses, but I just can't leave it that way anymore.

This is one chunk of Blog Zero that is about to fall down. Only a few more parts to go.

As for anyone else reading this, take this as a sort of behind the scenes look at how my mind works and why sometimes it is hard for me to make posts as innocuous as my film blogs. They take more energy than you realize. This is the kind of thing that comes naturally.

7 October 2006

Where do I begin? I could start with the suicide note in the pocket of my jeans. I could recite the entire thing if I had it in front of me. That way we could all recount the pill by pill account of what lead me to this place. I ticked off everything thought by thought. The pain, the frustration, the regret, it’s all there. At least until the 10th pill (generic Tylenol PM so that in the event that I would survive the morning I would at least sleep for an extended period of time. Long enough to kill the brain cells tied to my memory) when I was too weak to even hold a pen and barely able to speak or yelp from the violent shaking I felt in my arms, chest, and jaw. There were still five or six pills after that all brought past the lump in my throat by a mug of hot chocolate. If I was going to die I was going to die comfortably.

I didn’t die. I got sleepy, but it was a bad kind of sleepy. It was almost the same feeling I got from the one late night cram session in university when I took far too many caffeine pills. I was drowsy, but far too jittery to sleep. The tightness in my chest was probably ephedrine but it felt like my heart was breaking, which was exactly what I deserved. I couldn’t sleep. I couldn’t stand, walk, crawl, or even speak properly.

Reliving it all seems so surreal now. But I was going to tell you about the note you’ll never see. Not because I don’t want to. As with mostly everything I write, it was something I would hate to throw away. I simply can’t show it to you because the hospital lost my pants. No one even got the chance to read it unless someone actually got the jeans (I hope you enjoy them, they were my favorite pair). As soon as I told Christian, after I got off the phone with Davin (after he had been on the phone with Jenna), I hid the note in my pocket because it was no longer relevant. It had officially become a part of the past.

According to everyone in the ER, I came here naked. I’m pretty sure Christian, his mother, Kevin, Justin, or Melissa would have noticed as I was on the way to the hospital. So here I sit on my third night here, in a plain white T-Shirt, red scrub pants, and those no-skid hospital booties I love so much writing the introduction to something I will have to continue tomorrow. As much as it killed me to do so, and that it has come to this, I took a sleeping pill an hour ago and it’s starting to kick in. The doctors say it is to ease my racing mind. Other than the arrival of fresh clothes, Wendy’s, and a much needed call from Jenna, today was of little consequence and there is more time to talk about the past tomorrow.

This is merely to stave off sleep a few moments longer.

7 February 2011

To this day, as much as I love it, I can't drink hot chocolate without cringing at first. I still remember that day so vividly despite my best efforts to forget. The grey October dawn. Asking Kevin for a piece of paper to write my suicide note before he went to work and then going downstairs to set about my work in silence. I hate being so cavalier about how I tried to kill myself. To this day I have no idea why I do this. I guess it all just boils down to coping mechanisms.

8 October 2006

In hindsight it would have been very easy to write later last night. Despite all the lights being turned off, the door remained open. The light from the hallway was more than enough to write by. Combined with the window next to my bed, it might as well have been daylight.

Looking out the window, my head slightly to the right to look from my bed out the mesh wire encased window I can see the full moon illuminated still against a light blue sky. It hangs a few feet above the power lines, almost like an optical illusion.

The sleeping pill worked with mixed results. It staved off my crying and panic attacks. I didn’t cry or hyperventilate. It just didn’t put me to sleep. It wasn’t the fault of the drugs. I indeed felt drugged. Instead it was the fault of the Russian.

Girsch only speaks Russian and you could tell almost by looking at him. His hair was salt and pepper colored, I guess you could say, but mostly looked black and dusted with flour. The bald spot on the front of his head wasn’t terribly noticeable unless his hair wasn’t combed over. His beard was scraggily and long, and decidedly unkempt to the point where it barely moved at all. The only time the beard changed shape slightly was when he spoke or smiled (as he often did) with the gap toothed grin of his.

Naturally, no one on staff at the hospital speaks Russian and he is clearly troubled. Last night somewhere in between my going to sleep and God-knows-when, the Russian emerged from his room, ranting and raving and naked. This lead the nurses to start shouting back at him. It might have lasted as little as ten minutes, but in here ten minutes feels like an hour.

On top of that, one of my roommates snores like a chainsaw trying to start up with no gas in it.

I wasn’t thinking. My mind was blank from being tired. I just could not sleep. Even when the Russian was finished with his ranting, even when the chainsaw had died out. I’m about ready to die out myself.

It’s almost time for lunch. Still nothing has happened. I didn’t even get the nap I had been hoping for. It was easier to catch a few winks when it was only Ted and myself. Now with two others making it a full room, things are still somewhat more cramped.

My room overlooks a major street, but on a Sunday afternoon the traffic seems very light. It faces West. I kind of just want to lie in the sunlight like a cat, but I have to wait until after dinner for the light to reach my bed completely.

I can still see the Ferris wheel. I hate that fucking Ferris wheel.

I could use this time to bring you up to speed as to what happened the first two days. My motivation has been shot and I’m just now starting to uncross my eyes.

The smokers are lining up for their cigarettes. I’m just waiting for my lunch.

Before I forget, even mental health patients don’t think Shawn and Marlon Wayans are funny. There was no one lining up to watch today's performance of White Chicks. That was all I needed to prove my hypothesis.

Ted is the only one of my roommates I really talk to on a regular basis. I find it amusing that the oldest person and the youngest person on the ward spend the most time talking to each other. Of course, Ted spends a lot of time talking to himself. He just walked in to go to the bathroom wondering aloud where everyone was. He doesn’t say “crazy” things or spout conspiracy theories. It’s like he has no inner monologue. He will say aloud the things we often think.
“Where did everybody go?”
“Almost time for lunch.”
“Where did all the time go?”
“I think I’ll shave today.”

Ted is a World War 2 veteran. He was one of the men on the beach at Normandy. He was only 19 and believes that nothing more than his youthful quickness got him out of there alive. Today at age 80, Ted still looks better than everyone here that’s over the age of 50 (staff included). He’s not married. He has no kids. Maybe that’s why he looks so young. Maybe that’s why he’s here in the first place.

Lunch is running late today, as it usually does. Breakfast shows up a few minutes before eight. Lunch, which is supposed to be here at 12:30 is often half an hour late. Dinner, which is scheduled for 5:30 is usually half an hour early, making the waiting time before visiting hours that much longer.

While pacing the halls with a song stuck in my head (thanks to complete lack of music with the exception of the occasional BET. Today’s song is “Fix You” by Coldplay) I realized that this place would make for a great one hour drama on HBO. It kind of feels like a tragedy at times.

My brain is telling me to sigh. I’ll sigh when I’m more at rest.

Charles hates to be called by his real name; he prefers Tom. So for the sake of keeping everyone happy, I’ll refer to him from hereon in as Tom. I found out he hates being called Charles the hard way.

Tom was brought in the day after I arrived and I didn’t even know it because he was completely sedated.

Now let me stop for a moment and back up because I have to tell you about another patient in order for this story to make sense. I guess I’m being a shitty narrator, but it’s my story and you’re reading it, so just go along with it.

Roberto (who for some reason I always want to call Carlos) is a kleptomaniac. Roberto only speaks Spanish, which makes him easier for me to understand than Girsch. Roberto spends his days roaming the halls and stealing shit. You can’t turn your back on him for a second or else your pen, coffee, paperwork, underwear (off your dresser of course), socks, ice cream, notebook, pills, shirt, or even garbage could be stolen. He paces quietly and has a tic that causes him to shut the lights off when entering a room only for a few seconds. If he decides to stay in a room he will leave the lights as they are.

Roberto’s other problem and the one that annoys me more (mostly because he has never tried stealing anything from me) is the fact that he always answers the phone and hangs up immediately afterwards. He will say hello and once he realizes the person on the other end of the phone is trying to ask for someone in English, he will hang up. This happens quite frequently. This happened to Tom’s wife all day.

I don’t know why Tom was brought here, but I assume it was drug related. I do know that the reason he was knocked out all day on Friday had nothing to do with his condition. It was because the hospital fucked up. Tom was given the wrong kind of medication. Actually, that’s not true. He was given two medications, one right and one wrong, that counteracted each other, making him very sick and sedating him completely.

I finally beat Roberto to the phone, which is not an easy task since if he isn’t standing next to it, his room is one of the closest to it.

Tom’s wife asked for him as Tom and when I went…

Wait, one more thing I forgot. I am being a terrible narrator again. Kind of like that movie Kiss Kiss Bang Bang. I bring it up because Robert Downey Jr.’s character narrates the movie in a similar fashion, filling in the details as he goes along. I freely admit I will rip off that literary device right now.

First, I realize that I never described to you what anyone other than Girsch looks like, mostly because unless they look like someone I can identify, I suck at describing facial features that aren’t particularly out of the ordinary and I always preferred to put faces and attributes on characters in a story myself. But for those of you that don’t know by now (I assume you know who I am if you are reading this or at least could place the face) here is what the cast of characters I have introduced so far looks like:

Ted- 5’8”, white, thinning white hair and moustache, wears a green New York Park service jacket with no shirt beneath it. Kind chubby, almost cherubically so.

Roberto-5’5”, about 50, Hispanic, slightly grey but mostly black goatee, scrawny, could easily be mistaken for a lawn dart. Always wears Adidas sweatshirt and two pairs of jeans (blue for outerwear and black for underwear)

Tom- 6’5”, looks like he’s in his late 40’s. Definitely was a biker at some point as evidenced by his tattoos and affinity for Harley Davidson merchandise. Wears glasses two sizes too small for his face. Gives him a squinty look. Wears a skullet in a messy ponytail.

Now, after we have gotten that out of the way and I have taken several breaks from writing this to do nothing at all, let me get to the second point I wanted to make.

There is only one pay phone for patient use. It is at the far end of the hall next to the smoking lounge. It is one of the rare pay phones that accepts incoming calls. Outgoing calls are still 50 cents, but if someone calls you, it’s their dime and not the hospital's.

We answer the phone with a hello. The patients are the only ones allowed to answer the phone. The nurses aren’t allowed to speak on that phone and if you called the nurses station they will not confirm or deny that a patient is staying there. They can only give out the number for the payphone number and wish them the best.

This made it difficult to track Tom down while he was inadvertently in a medical induced coma. Tom’s wife asked for Tom and not Charles as his paperwork had stated. I asked at the desk if there was a Tom there, but everyone shook their heads. When she finally said she calls him Tom and no one really calls him Charles, I had to break the news to her that Tom was down for the count indefinitely.

The entire night I tried to get the phone before Roberto and she was on the other end of the line about 90% of the time. I was her liaison. The nurses couldn’t disclose any information to her because Tom was in too weak of a condition to sign a release of information form stating his wife could monitor his progress. I kept her posted until the moment I went to bed. She was happy to hear that he was able to eat, but upset that he fell back asleep immediately after.

The next morning after exiting the shower, I answered the phone and not to much surprise it was her. This time Tom was awake. He was in the main lounge eating breakfast. He looked glazed over, but in better shape than the day before.

I called him Charles and he stormed out of the room. “I fucking hate that name. No one calls me that anymore.” Later that night, I met Tom’s wife and she thanked me for being polite and helpful. (I guess all that time working retail paid off) Tom apologized and I thought nothing of it. I probably would have been just as cranky.

So, why is this meandering, yet fact based story important or relevant in any way? It is because of a conversation over the phone between Tom and his wife that I eavesdropped on. His wife was at the shopping center across the street. If you look out the window next to the phone you can see it clearly. She was standing there and waving back at him. She couldn’t see him through the grating on the windows, but he could see her. It meant the world to him.

I only wish I could see something more than a shopping center when I look out that window. Right now all I see is failure, regret, and a Ferris wheel.

And now for a word about the imagery behind the Ferris wheel. For any future English teachers who might be reading this text, I will spell it out for you in two different ways. I’ll first discuss the figurative meaning behind it. If you have seen a Ferris wheel you know it goes in a circle. Picture someone you know getting in a car at the bottom while you are on top. You want to see them, talk to them, hold them and tell them everything is going to be alright, but the longer you stay on the ride you realize you aren’t much closer to seeing them at all. Eventually one of you will have to get off. No matter how much you enjoyed the ride.

More later.

I have also decided that I am totally prank calling the payphone here when I leave.

I have a sudoku book that I haven’t touched yet. A “TV Guide” crossword book, too. I prefer the journal though. Besides, the doctor is coming soon. Best not get too attached to anything right now.

I’m back shortly after I wrote that. Some people just got busted smoking in the smoking room and I have talked to the doctor. Neither were exciting and no fights broke out at all. The doctor is increasing my medication tonight. So now I can feel groggier longer.

The whole time it has been on the tip of my tongue, but I just can’t say it. Although, it is tempting. I just don’t know if I want to keep writing about tragedy. Or disappointment. Or heartbreak. I would gladly write about tragedy over the other two, though.

When Jenna called last night I was elated and pained at the same time. Wait. I can’t talk about that yet. I’ll save that for later.

I saved coffee creamers because I thought I would need them. Did I? No.

Shortly before dinner, Patrick called to see how I was doing. We bullshitted for a little bit about writing and drawing and small intimate art shows in bars. It was good just to talk about random things for a while. Just kind of wish there wasn’t a shitload of people filing into the smoking lounge while I was doing it.

Roberto has been stealing things left and right. I can’t stand it anymore. I hope he goes home soon.

Visiting hours start soon. I don’t think I’ll have any. Maybe some phone calls if Roberto doesn’t hang up the phone on me. Either way, I am going to watch everyone. Observe them. And as always, wonder.

Visiting hours have come and gone. All in all it was pretty uneventful night. Well, except for one of my roommates saying he’s going to hurt somebody. Luckily, cooler heads prevailed.

Ted has the same visitor every night. I don’t know his name, but he’s a pleasant chap in a cool looking fedora hat. They talk about their war buddies and where they are now (if they are still alive) and they talk of the good times they had on their return home. His friend is 78 and has cancer, but still rides his bike everywhere despite having a 2005 Cadillac sitting in his driveway. Every day, without fail he is here ten minutes before visiting hours starts. Ted is happier I these moments more than he is all day. That is the kind of friendship I will always yearn for.

They are starting meds early tonight. I sit by the phone. Waiting somewhat selfishly that someone will call. Knowing deep down that they wont. There are a few people I would like to have call me, but not too many that I would know what to say to.

So I bit the bullet and took the pills. I still don’t know what they are called. They make me drowsy, but that’s about it. Drowsiness doesn’t exactly equal sleep. Combined with the Claratin and Effexor (now it’s about the size of a horse pill), it’s making me kind of loopy.

The reading of this is probably quite boring right now. There are other stories to tell here. Might as well tell one to kill some time.

Hugh Nevins is a dead ringer for Bill Nighy. However, he looks like his really crazy twin. Acts like it, too. Even down to the British accent.

Right now, Hugh is dancing in the hallway and pretending he is a bullfighter. I don’t know much about him, but if this place had a class clown it would be him.

Hugh has his moments (usually first thing in the morning) where he can be downright frightening. He’ll rant and rave about how we are…

9 October 2006

… and shortly thereafter I passed right out. I wanted to continue writing, but I was physically wiped out. Too bad. I might pick up on it again later. Maybe more about Hugh as well.

Today has already been chaotic. And I have only been awake for twenty minutes.

It’s sunny, but the fog is thick outside. Wait, I’m wrong. It’s not foggy at all. That’s just my window.

Lets try and start (briefly and before breakfast) with my roommates. Not Ted, he was fine, but I’m guessing he had as much trouble sleeping as I did. Well, Ted’s on so many meds that it probably didn’t matter.

First, in the middle of the night, Craig, the violent roommate (think Larry the Cable guy with a ponytail) tried killing himself by shutting off the oxygen supply he needs at night for his emphysema. It took an hour to sort the whole thing out. The buzz saw snoring continued as the oxygen slowly hummed though the tubes. I wasn’t so much scared as I was reminded of my mother.

My other roommate Gary was the first distraction I had upon waking up this morning. His doctor, who also does MD rounds on all three psych wards here, burst into the room screaming at Gary for ODing on meds that he prescribed. He told Gary he could no longer be his doctor and stormed out of the room. It was the only time I ever heard a doctor curse out a patient.

Tom just got into a shouting match in the hall with a nurse. I don’t know what it was about.

I ate well this morning. First meal I ever finished here. Probably because I didn’t eat much dinner and skipped snack time last night.

Let’s see what the rest of the day brings.

It’s not even eleven and it’s far too chaotic to keep everything straight. As far as I know three people are getting released today. Roberto is one of them. Maybe more. Maybe me. I don’t know. Oh, wait, Gary (who I just mentioned, but didn’t describe in any way)… he’s out today, too.

I feel awake. Shaky and groggy, but still awake.

It’s starting to come together. I don’t know what “it” is, but it’s coming.

Benny is watching me from the door closest to the pay phone. Out of everyone here, Benny probably has the saddest story. He is also clearly the most depressed out of all of us. Benny has been plagued with health problems. His hair is about all he has left, falling around the sides of his head in small white curls jutting out from his dark brown skin. Considering he has Parkinson’s, he manages to stay well groomed on his own. That’s about all he has, though. On top of Parkinson’s, here is a list of Benny’s other problems:

1. It’s hard to understand him because not only does he have Parkinson’s, he also has no teeth (and can’t afford dentures) and he has had two strokes.
2. Other than a blue windbreaker, he doesn’t own any clothes of his own.
3. He has no control over his bodily functions and is forced to walk around with a cathoder and a colostomy bag.
4. He has pancreatic cancer. The operation for it is in a few hours. He has been nervous about it for days.
5. His daughter, and “caregiver” (if you could even call her that) spends all of his social security money on herself. Not even on drugs. Just on, as she puts it “stayin’ fly.”

Benny offered me all of his money so his daughter doesn’t get it anymore. He offers it to someone new every day. He’s tried to kill himself three times in two years. No wonder he always has a frown on his face.

I forgot to mention, last night while I was at the phone writing, I took a break and put my head in my hands and Girsch spoke to me in broken English…

“You…are…miserable.”

I nodded and smiled slightly.

“You good man.” Then he laughed and started speaking Russian again. I’m sure he had nothing but good things to say. I didn’t understand it all, but the little I did was all I needed.

Too bad now he seems pissed off. Everyone’s blood seems up today.

There is a man in a shiny suit talking to Ted. I’m in my bed behind the curtain eavesdropping. Earlier in the day he was in the lounge talking on his Blackberry about how great his weekend was. He’s from a nursing home in the country. Ted wants to stay in the in the city. He has been here his whole life.

It sounds like a shitty deal to me. No private room and they take $950 a month for his rent when the government only pays him $1,150 a month.

All this guy is asking about is money.

I can’t stand it.

If nothing else, the morning has passed quickly.

There is a Christmas tree on the roof of the hospital. No one knows why it’s there. It’s been there for years. Sometimes in the afternoon when the light hits is just right, it doesn’t look brown and decayed. It almost looks like it belongs there.

I feel very hyper today. Not necessarily happy, but hyper. Kind of loopy. Half of me likes it. The other half is frightened.
There is an arts and crafts session starting in the lounge soon. I plan to attend, but I also plan to write all the way through it.

The lounge is about half full with people finishing their lunches. A few faces that I can place, but none that I can put a name to. I guess I’ll tell a couple more stories.

Right now I’m looking at James. James has a very pronounced face for an old man and a perpetual frown etched in the center of his stone faced jaw.

James has Alzheimer’s and his daughter is trying to place him in a nursing home. His son, however, doesn’t want that. James, however, wants to live with his sister.

The only words James says are:

“I want to go home.”
“I can’t go home.”
“I’m staying here.”
And
“I can’t spill.”

I’ve noticed a change in him lately, but only for the worse. This morning he had a tear rolling down his face. A single lonely tear.

Phillip looks exactly like Charles Manson, but with shorter thinning hair. He wears the same red polo shirt every day. He always has a distant look on his face and has a tendency to stare. He looks like he would kill you if given the chance. Truth is, he is one of the most harmless one’s here. All he lives for is smoke break. Only speaking to ask when it’s time to smoke and how many cigarettes he can have.

The most innocuous looking one of the bunch is actually the most dangerous. Joe isn’t developmentally disabled, although he looks it. His condition is the result of an automobile accident. He is prone to sudden fits of uncontrollable rage. Right now I am listening to him trying to read.

Now it’s just me, Ted, Phillip, and Joe in the lounge. It’s quiet again.

Three people are leaving now. Gary left already. Roberto is leaving soon, as is the cracked out dude who keeps calling me “dude buddy” and Alfonso. I might tell more about him later. Of course, I shall have to talk more about Hugh and Joe later as well.

I am trying very hard to write complete stories, thoughts, and sentences. I am trying very hard to not write merely notes. Today, for some reason, that’s hard.

Hugh is now wearing street clothes, but his condition hasn’t changed at all. Let me finish what I started last night…

…he’ll rant and rave about how we are being mistreated. If our food is even a minute late, he’ll freak out and go on a tirade. Right now, though, it’s the Hugh all of us like better. The one who knows tons of useless historical facts. You never know what will come out of his mouth.

Right now he’s trying to explain to Joe the difference between Julius Caesar and Chunk from The Goonies. I’m not even making that up. Only in here, folks.

Ted just said that all there is to do in this place is die. He’s not that far from the truth.

Girsch is acting crazy. No surprise.

Despite being arts and crafts time, only Joe, Hugh, and Phillip are taking part. Joe is drawing since we can’t trust him with sharp objects. Hugh and Phillip are making stained glass.

Joe just said I was a famous composer for all the writing I do. Joe doesn’t speak in full sentences. Mostly just jumbled phrases.

“My garbage is that I am busy”
“I ate the fruit in my slacks.”
“The earwigs are not, they bad. They scurvy.”

Phillip has given up on his project. Craig came in and said all he wants to do is break things.

Joe is going to snap. He is just screaming and swearing.

“I worked before this and I come here and get treated like a fucking baby!”

That was the first sentence I ever heard come out of his mouth.

I am watching Roberto leave. Si-yo-fucking-nara.

I think Ted’s going to cry.

The doorbell and phones wont stop ringing.

Joe keeps looking at me and repeating “Don’t bring up your past. We’re not trying to take long term adventures.”

Feeling kind of low right now. Can’t figure out why. I have almost bled this pen dry. I think it doesn’t look like there is much left.

Maybe now is as good a time as any to write about how sorry I am to have put everyone through so much pain.

I feel like I just shit all over everyone who loves and cares about me.

Put simply, I make love hurt a lot more than it probably should.

So the other night when Jenna first called, I think that was the high point of my stay here, thus far. It wasn’t the happiest call in the world. It was the kind of conversation that had it happened in person would have consisted of her crying and hitting me repeatedly, but I would have gotten a huge hug afterwards.

I worry about her now. Normally I would be listening to Joe talking crazily about how baseballs are made, but I can’t stop thinking of her.

There is a picture in my mind of her. Alone. Because of me. Worried. Because of me. Part of me wishes that for her sake I had never entered her life. The other part of me knows that I wouldn’t have gotten this far without her.

I don’t know what will become of us. I don’t even know what to say. It’s so easy to write about everyone else’s problems. It’s so much harder to write about my own right now.

Mostly because I can’t believe I ever did something so stupid.

Fuck. I need a hug.

I haven’t looked at the Ferris wheel at all today.

The hours between 4 and 6 are death. Easily the worst of the day. Not a heck of a whole lot happens outside of vitals being checked and lunch.

Gary has been quickly replaced by Luther. He seems like a good enough guy. Just like everyone else when the first get here, he’s asleep.

I called Gloria. I hope she calls back tonight.

I wonder if that sub shop across the street is any good. Somehow, I doubt it.

Dinner should be here soon. Followed by a meeting with my doctor. Followed by nothing much at all (Visiting hours are slowly meaning nothing to me) unless someone calls me. Maybe Jenna will. She said she just might. I’m lucky to have someone like her in my life.

I will never be able to forgive myself for what I have done to her. Or Christian. Or everyone.

The binding of the book I am writing this in is starting to stretch and the pages are becoming dog eared from the firm strokes I tend to make with my pen. One of the pages is about to fall out. I dread to think what will happen once it is full.

The second day I was here the manic side of me had a pretty good idea. I have been working out each day as best I can. I can now do twenty five push ups on a blanket spread out between my bed and the heater. I have also worked myself up to doing 100 sit ups by putting my feet on the heater and sitting up on the bed. It’s starting to pay off. I’ve managed to lose five pounds. Of course, there are probably other factors contributing to that as well.

Dinner is here. Smoke break is late. Mostly everyone is pissed off at this. Especially Phillip. Not me. I don’t smoke. But a cigarette might just be better than the food here.

Off to dinner. Hopefully no gas pains tonight.

Dinner wasn’t bad. I am on my sixth cup of coffee though. Oh, well.

Roberto’s wife just called. Apparently he’s back in the ER. She said he was walking around the house naked and he burnt up all his prescriptions. We might not have seen the last of him. Everyone is decidedly less than thrilled.

Short of murder I think I have seen the worst that human kind has to offer.

The staff tonight is nice and made up of good people. It’s a damn shame they are all crabby due to lack of coverage. Three people can only do so much.

The binding of the journal is now officially broken.

I think this place is making me crazy.

I am terrified of being alone.

I hate having nothing to do but wait for the phone to ring.

I feel so unproductive.

Today I tried to write a song. Then I remembered I can only sort of sing. I thought I could parlay some of this pain into starting a successful band but much like my forays into screenwriting (well, writing original one’s anyways) I think I should just stick to what I am good at.

I find it hard to believe I just gave myself credit for something.

Another visitors hour spent manning the phones. Roberto’s wife just called again. She got the same answer she got before.

Just met a new guy named Eric. Eric seems like a pretty young guy for someone to be waiting for their wife to call.

The nurses got annoyed talking to Girsch and Phillip. So they sent them down to me to keep me company. Here’s how it goes:

Me: “Um, hey there.”
Phillip: “Do I get two at 9:30?”
Girsch: (laughing and speaking Russian, smiling)
Me: “Yes, Phillip.”
Phillip: “You know what I’m talking about?”
Me: “Yes, you are talking about cigarettes.”
Girsch: (nods head to rap music coming from smoking lounge, I think it’s Cassidy, while mumbling in Russian, but I think one of the words was America)
Phillip” “Are you handing them out?”
Me: “No, the nurses will.”
Girsch: (smiles and speaks loudly, I think he said alcohol and vomit while walking away and smiling)
Phillip: “So I get two at 9:30?”
Me: “Yes.”
Phillip: “How do you know?”
Me: “I know things.”
Phillip: “So you know I get two at 9:30?”
Me: “Yes. It’s also written all over your forearm in black marker.”

There is one guy who does nothing but pace the halls all day. He has been here longer than I have. He says nothing at all. Occasionally he will smile or ask for a cigarette. I still don’t know his name. He’d be pretty imposing if it weren’t for the fact that he has no clothes and wear towels on his feet.

The page next to the one I have been writing on has officially fallen out.

James’ sister and their deacon are here. No one speaks when they are together. Except the deacon saying pointless motivational phrases like “Live one day at a time” and “When I fall, I get back up.”

Joe makes strange writings. Quite scary actually. I know for a fact that one has my name written repeatedly along one edge of the page. The other side was filled with other names and random words like “cool,” “nookie,” and “kill.” Right now his writings are quite simple. Over and over again in hand writing getting longer as he goes down the page is “Dr. Jekyll and Mr. Hyde.” At this point I backed away slowly and slammed into Girsch who I didn’t even know was standing there. Sacred the shit out of both of us in the process. Girsch doesn’t speak English, but he sure as shit knows it’s creepy to write “Dr. Jekyll and Mr. Hyde” up and down the page for six pages.

There is another guy named Teddy on the ward. I call the old guy (and my roommate) Ted. The other one I shall call Teddy. Now I know that is confusing, but I hadn’t thought of mentioning him until now. Teddy is young and very quiet. Rarely leaves his room or talks to anyone unless he’s eating. He has the build of a football player, but is a gentle giant if anything.

I mention Teddy only to put into context how much Joe frightens me.

One night at dinner, for no apparent reason and without any provocation at all, Joe started screaming at Teddy and attacking him. He started a fight for no reason. Joe slapped Teddy in the face and threw a very heavy wooden chair at his head. It took five nurses to take him down. One suffered a bruised collarbone.

He might be disabled and barely able to walk, but looks can be deceiving.

New guy just came in. They have been coming in as fast as they have been going out today. He seems pretty gangsta. He threatened to slap somebody if he didn’t get a cigarette. So they opened the smoke lounge for him

Jenna called. I’m tired as hell now that I took those sleeping pills.

I kept telling Jenna I was sorry. Repeatedly. She said not to worry about it.

So much to say. This shit hits me HARD, though. Tomorrow I think I will take the sleeping pills later.

10 October 2006

I didn’t get right to sleep after Jenna called. As soon as I had hung up the phone Christian ended up calling, and immediately after that, his mother called. Then, I just couldn’t sleep.

Joe tried attacking someone with a chair again this morning. I don’t know who, all I know is it woke me up. He was screaming “STOP MOVING SO FUCKING SLOW!” repeatedly. That was at about 5AM or so.

Roberto is back. He was the first thing I saw this morning. He has already stolen Phillip’s reading glasses and hung up on three phone calls.

I haven’t written all day. It’s after two now and I am sitting in the main lounge observing a substance abuse meeting. I didn’t have to attend, but my room reeks like vomit at the moment. So now I’m just listening to people talk about their addictions

It’s me, Bobby (I guess I’ll mention him later), Ron, Scott, and Girsch and Joe, who like myself have no reason to be in the room.

Bobby is a liar. A bold faced con and we all know it. He says he is here for depression, but it’s really a plot to try and raise money to make a trip back to Florida. Right now it’s a place for him to stay to tide him over.

Eric just re-entered the room. I know he has three kids, but now it turns out that he is much older than I am despite not looking it at all. He loves his family very much and he seems to be determined to kill his pill addiction.

Scott is an alcoholic. Former addict. Current alcoholic. He’s a bit on edge, but he’s a good guy. He was brought in by the police who found him passed out on some train tracks. Scott has no idea how he even ended up there.

Luther has been in his room all day vomiting and praying for Jesus.

It’s very hot in here and I have heartburn like a motherfucker.

The guy who runs this group is also named Eric. He’s probably my favorite staff member here. He handles all the groups, recreational activities, and substance abuse counseling.

Insanity is doing the same thing over and over again excepting different results every time. I never even knew that until today. I guess that’s it’s proper definition.

You can rattle off every cliché in the book, and it might not help you or work for you, but you damn sure remember it.

Benny got back from surgery late last night. Today he is pissing blood into his bag. Yet somehow he managed a smile today.

Ron looks so weary. If there is one person here… I don’t know where I was going with this. He just looks beaten by the world.

Not much going on right now. Nope. Not much at all.

Today was the first time I had a chance to listen to music that wasn’t in video form. It was a nice mix of music from the past and today. I love Canadian radio stations.

Luther has been transferred back over to the medical side. The room still reeks of piss and vomit as I am sure it will all night.

The air is thick with dread. I can feel it in the pit of my stomach. Maybe it’s the meds, but my Spidey Sense is tingling.

Joe just tore his room apart.

Girsch just walked by me, patted me on the stomach and gave me a smile that I could only describe as reassuring. Sympathy seems to know no language.

Benny and Girsch want to fight Roberto. That would be a hell of a fight to see.

I feel almost comfortable now. I feel like I’m flying under the radar. I feel like a character on a TV show.

I feel steadiest with a pen in my hand.

The entire time I have been here, all they talk about is medication. Not once have they spoke of therapy. My doctor described my situation as “situational.” That I am only depressed because of stress. I hope she’s right.

I still want/need therapy, I think.

They say it will take roughly 40 days for everything to get straightened out. That’s way too long for my liking, but I have no choice at all in that.

I have done nothing but pace the halls since dinner.

I am being released tomorrow. I am actually worried about what everyone will think of me when I leave. Maybe that is what I feel in the pit of my stomach.

James’ sister just called. I have no idea why she would call. He can barely speak as it is. And if he’s not sleeping, he’s crying to himself.

Craig barely leaves his room anymore.

7 February 2011

The bad news piles up around me and I am loathe to talk about it. Despite it being pas three in the morning, I should be sleeping or emailing you. I could be working on my press release, but until I get in touch with a few more people, that is a no go. Throw yourself at your work is my motto when I get in these moods. Work until you pass out and swallow down everything until you forget it.

The day after that one isn't particularly interesting, mostly because I was incredibly happy that day. I got to see Jenna and all my friends again. The only poetic thing I wrote that day was that my Effexor pill split open and the contents looked like the little candy sprinkles you would put on ice cream as a kid. You know the ones that look like microscopic rainbow coloured ball bearings? Those are the ones.

That was a pretty terrible experience, but the feelings that led me there are feelings that I will never be able to shake as long as I try.

You are not bad for business. I am the worst person for my own line of work. I wanted to say that was the last such incident, but it wasn't. At that point I wasn't even diagnosed as bipolar. Everyone just thought I was depressed. Bipolar disorder often goes undiagnosed the first few times you go before a doctor.

10 October 2008

I didn't keep a log for this trip to the hospital. I was barely able to hold a pen, let alone use one for anything other than paranoid rants about how I felt everyone was talking behind my back and conspiring against me. If I wasn't paranoid, I was crippled by how badly I felt about how I had treated those that I loved that I wanted to die. I didn't have the focus or energy. When I entered the hospital I was weighed and it turns out I had lost close to sixteen pounds in the span of a month (and my pants seem to fit accordingly).

Luckily, this hospital didn't have too much to write home about. The stories are more anecdotes that I can tell friends in person. They don't really translate into something worth reading.

I'm out now and things are far from perfect. It seems like every day brings some sort of new struggle that is seeming to want to force me "off the wagon". For the most part, I am quite happy right now, and the medication seems to be working and is adjusted accordingly, but I still feel over medicated at times. Having to take pills throughout the day is hard to get used to. The morning and evening are easy, it is the afternoon/early evening one that is hard to tackle. I could take it in the morning since it is just an extra dose of what I am already taking, but I will feel groggy and sick for the rest of the afternoon, so it is best to avoid that.

My apartment is a private hell. I was happy for it at first, then I broke down and when I came back I wasn't ready to face being alone yet. Then I returned last week and within days it had flooded for a second time (it is a basement apartment) and I now have rats that need exterminating. Hence, I am not staying there tonight or tomorrow until everything is fixed again. Hopefully I won't have to do this again.

I have been getting hate mail as well from some former friends regarding my need for further hospitalization. It isn't helping my mood. They have no clue what I have been through or what I go through every day of my life. It is based out of pure ignorance blinded by some misguided feelings that there is some underlying problem between us.

I need an ego boost pretty badly. I don't know why. I think I just want one person to say that I am doing the right thing and that they are proud of me.

My mind is starting to race now that I have been getting everything out. That means it is almost time for my sleeping pill.

Work is pretty decent. Writing is coming nicely. That is about it.

7 February 2011

Sweetie, I know you are probably scared right now and I can't say that I blame you. Also, I know you have caught me on something already. I know I told you that my weight hasn't changed since high school. That is probably because I always seem to come back to my "normal" weight all the time. When I have an episode, it drops pretty drastically sometimes. I just weighed myself and I have only lost two pounds in the past month. I don't think that is enough to raise any alarm bells just yet.

28 May 2008

It comes at night and it can hit me even when I am at my most optimistic.

“I think I am going to bed.” She said.

“Me too. I am actually just finishing up typing the last thing I have to work on tonight and then I think I am going to call it an early night, myself.” This was at eleven at night and by my standards anything before one is an early night.

I finished my typing and immediately fell into a hole. I was literally happy and smiling less than ten minutes ago.

“What do you think you have accomplished? What do you think you have done?”

My face soured and I knew it was going to be one of those nights. The kind of night where my brain keeps telling me I am fucking everything up. Not in some sort of voice other than my own. It’s my own and no one knows how to better kick myself when I am down. All my supports had either gone out for the night, gone to bed, gone on vacation, or were just plain missing in action. I just kept telling myself not to get desperate and not to let things get out of control. Remember what your therapist said.

“Centre yourself. Place one hand on your stomach and the other over your chest. Close your eyes and tilt your head back. Allow you mind to go blan...”

“What have you accomplished?”

“...k. Slowly begin to bl...”

“So fucking proud of yourself, aren’t you? Look at what you have done.”

“...ock out anything that could possibly ha...”

“You are such a fuck up. Pathetic. You should just give up.”

“..rm you. Remind yourself that you are within your own...”

“You only hurt everyone around you. No one reads this shit anyway.”

“...mind. You make the rules and nothing c...”

“Boo-fucking-hoo, my life sucks, I can’t do anything about it. Waaaaaaa.”

“...an harm you there. Then focus on your bre...”

“Remember the shakes you had? Those pills came so close that one time.”

“...athing. Short, slow breaths, focusing on the in...”

“Remember how everyone felt? Oh boy no one will let you forget that one.”

“...haling and then the exhal...”

“You have put everyone you loved through hell.”

“...ing. Just keep repeating this until you are able to focus on no...”

“Look at what you have lost. LOOK AT IT!”

“...thing else other than the sound of your breathing...”

“And here you write all these things and for what? For healing? You are fucking useless.”

“...and how your chest feels as it rises...”

“You aren’t even that good. Resign yourself to your fate and just walk around like the fucking bum you are. You had your chance and you fucked it up.”

“And falls.”

“I fucked it up because of you. Stupid fucking brain.”

I woke up from my mini-meditation on the couch. The thoughts were gone and my head felt a thousand times lighter. The problem is that no matter how hard you silence it, the harder it wants to try and attack again. It will change its tone to the fantastic aspects of life.

“Hey, do you know how cool it would be if you had fifty billion dollars? Like, that is a good amount so that you would never run out. And just think of all the good you could do with it! Everyone would love you again!”

“I’m not falling for that one.”

“You are fucking useless and always will be.”

“Whatever.”

One of the drugs I had suggested for me was Ativan. “This is only to be used in case of an emergency. The way you make it sound you seem to be prone to some pretty crippling anxiety attacks and I want you to have something strong in case you need it. I warn you, though. Ativan is habit forming. You will only get 10 pills and no refills. You should never need more than that. Consider it something that you would break the glass in front of in case of an emergency. If things are crazy enough to break the glass, you probably need it.”

Needless to say, I haven’t been able to either pick up the prescription or even been able to get in touch with her since she left for a family funeral. I could call whoever is standing in for here, but by this point I am already sitting up at 1 in the morning trying to watch Crank to better appreciate how shitty it is, but I can’t stop thinking about everything.

All that I have ever done comes flooding over me like tidal waves. Some of the memories are even happy ones, but they only exist at times like these as a form of psychological torture to provide context for further self flagellation. Some are of things that were simple mistakes on my part that I paid dearly for or put someone else through grief. Then, like coming upon the final circle of hell, everything that I have ever done while I am surrounded by hundreds of disappointed faces.

I stop thinking that I am capable of being loved yet that is all that I yearn for. At times like these I pray for some sort of interaction that ultimately never comes. I shut down and begin to almost babble in the event that someone witnesses one of these episodes (which in truth can be staved off by the drugs I can’t fucking afford). Tonight, I took off my sweatshirt, freshly laundered and pleasing to smell, and clutched it as tight as I could as if it were a security blanket.

I got off the couch and shut the movie off; my train of thought was gone. I gripped the sweatshirt tightly and curled up in the foetal position on the part of the floor that was exposed hardwood. The intention was to have the cold wood caressing my arms and shoulders so I could snap back to the now, but it wasn’t happening.

Should I wake anyone up and tell them how I am feeling?

“None of them care, and besides waking them up is just an inconvenience to everyone anyway. It just further proves you are a fuck up.”

I rushed to the computer and turned it back on. I signed onto MSN and no one was online to talk to about anything.

“Because they are either sleeping. Or they are well adjusted and have social lives you dumb fuck.”

I quickly ran through the bookmarks for the number to the 24-Crisis Helpline that I haven’t needed to call in months. I fear this means my body might be getting too used to the depakote already. I tried several times to dial the number, but I am oh so tired that my vision is going blurry and I keep punching in the wrong numbers. I am now on my knees with the phone in hand listening to the busy signal drone on and on and on and on and on.

This isn’t the first time this has happened. Actually, only once after midnight had I ever gotten through and not had a busy signal. The woman I talked to last night said it wasn’t uncommon to not get through. She had her “regulars” that seemed to call every night for everything from suicidal thoughts to just being afraid of the dark.

Every sound in the house from the phone to the ticking clock in the kitchen two rooms away was amplified. As was the voice:

“Typical. Just fucking typical. You can’t catch a break can you? Take a hint. Everyone hates you and could give a fuck less whether you lived or died. Fucking pathetic piece of fucking shit.”

As corny as it sounds I ran upstairs for my childhood teddy bear, Matilda, but not even she could help me now. I had gone too far and the only options left were to act on the impulses to harm myself, give in to a delusional fantasy to make it all go away, or ride it out like a junkie in the first stages of trying to go clean.

It is now almost three and I am exhausted. I have ridden it out yet again. I think I am going to be OK. I know that what I just wrote is sort of tough to read, but I didn’t want to let this feeling go. I wanted everyone to know exactly what it is like. And more importantly, I wanted to put it into words once and for all.

7 February 2011

I thought that was it. I thought that was the most recent depressing thing I had written "in the moment." I was wrong. I came across this written on a slip of paper from just last year.

26 May 2010

I have no idea what to do about anything anymore. I really don't. I wish for death, but I want to live. Just not like this. Not anymore. I function as a human being on a biological level, but very little else.


7 February 2011

Sleep on it or keep going? Which direction to choose? This is in no way an episode. This is just an explanation. I just wanted you to know for better or for worse what you could be getting yourself into. And I wanted my writing to you to be so much happier than this turned out to be. You have really made me happier than I could ever remember being. You deserve to know at any rate. This is me at my most unfiltered. Take it for what you will.

But I do vow, here and now, to never put you through anything like this. If you will have it, I would prefer to take the upfront and honest approach with you when it comes to how I am feeling.

That is after all what the purpose of this blog was from the start.

One part of Blog Zero down. Now to get the rest of this off my chest.

Hey, Remember That Movie #14: The Garbage Pail Kids Movie


Back in the early 1980s when the Cabbage Patch Kids were at the height of their popularity with their soulless eyes and impossibly cherubic cheeks The Garbage Pail Kids emerged as a form of backlash. Where the Cabbage Patch Kids were cute and cuddly, the Garbage Pail Kids were horribly disfigured, maladjusted, or just plain gross and uncouth. The Garbage Pail Kids were the brain children of the Topps chewing gum corporation. Not content with just baseball cards anymore, Topps decided to create collectible sticker cards depicting Cabbage Patch rejects in the most disgusting and disturbing ways possible.

Children all over the world, myself included, immediately fell in love with the cards and started one of the more bizarre trends of the 80s. The fact that numerous teachers and tastemakers couldn’t stand them only fuelled the buying spree.

If there was one thing I remembered about the trading cards that stands out the most, it was that even as a child I knew Topps were a shady bunch of motherfuckers. In every package (which could be purchased in almost any convenience store) there was a checklist with the names of every card in a given series of designs. There were roughly 100 cards in each series to collect, but you really only needed 50 to technically have a full set; the reason being that Topps created two different names for the same picture and attempted to pass them off as two different cards. The girl who projectile vomited into a pot over a stove was known both as Patty Puke and Valerie Vomit. The girl who was a dinosaur skeleton was Farah Fossil and Dinah Saur.

My biggest problem as a child rested with Mack Quack. I didn’t care that I had every other card in the third series; I even had all the alternately named duplicates including his counterpart Fowl Raul. They were both duck faced youngsters that shouted squiggled obscenities, but if I got Mack, I would have the whole set of something for once in my life. I don’t know how much allowance money I blew on buying pack after pack of duplicate after duplicate in search of one card I shouldn’t have given a shit about, but I was hopelessly addicted. Once I found what must have been one of the few Mack Quack’s in existence, I walked away from it. The thrill was over for me and when the feature length movie was released I could have cared less. I never even bothered to watch it one of the numerous times it appeared on cable.

The Garbage Pail Kids Movie was released in theatres in 1989, at what would ultimately be the end of the stickers’ popularity. The conceit was that if feature length films based on toy lines like Transformers and G.I. Joe could be successful, the Garbage Pail Kids could more than hold their own. The movie ultimately came and went from theatres to the sound of thunderous silence; finding defenders in only the heartiest of fans of all things retro and fans of the trading cards who never learned better.

At first I decided to revisit GPK: The Movie simply because I thought it could be fun to revisit a movie that was based on a dying fad. On top of that, and movie featuring midgets with oversized, latex, animatronic masks can’t be all that bad, can it? Sadly, I ended up looking into the abyss and the abyss was too bored to stare back. I have been to funerals with more laughs, intentional and otherwise, that also had far more grotesquery. They were also far more entertaining.

The excruciatingly long opening credits introduce us to all of the main characters, each of whom gets their own trading card, while we watch a metal garbage can outfitted with afterburners circle a picture of the earth several times; circle meaning moving back and forth in front of the camera. The cards themselves are digitally rendered, but they are shown over something that looks like it came out of an Ed Wood movie. Sadly, this is the best looking sequence in the movie.

Apparently the Garbage Pail Kids are from space. This can seems to have found its way to the antique shop of Captain Manzini. How a garbage can that houses hideously maligned youths ends up in an antiques shop is anyone’s guess. Manzini is apparently a magician or a warlock of some sort; the movie never specifies. Either way, the movie never explains what he even wants with the can in the first place. Manzini is the kind of character who speaks only in philosophical phrases that make little to no sense. Not once did he say anything that was remotely noteworthy or at least unintentionally funny, but he is the only interesting human character in the entire movie.

Dodger, played by Mackenzie Astin, has worked for Manzini for “a few months now” and is the type of young person you only see in films: not an orphan, but his parents are never mentioned be they alive or dead. What he does other than gawk wide-eyed at the goods in Manzini’s shop is anyone’s guess, as well. He is also terrorized by a minivan driving, 40-year old looking thug named Juice and his band of cronies; all of whom look like they just got kicked out of an off-off Broadway production of Grease 3: Man, weren’t the 80s Just Like the 50s?. The reasons why these thugs constantly single out Dodger is anybody’s guess. It is mostly because the villains in this movie just seem to be a lazy afterthought. Actually, everything in this movie feels like an afterthought.

One of the members of Juice’s crew is his girlfriend Tangerine. Who the fuck thought of the names of these people? Seriously, did the writers just look around the room when they got stumped? Dodger has a crush on Tangerine, who just so happens to be Juice’s main squeeze and is also a fashion designer who sells her creations out of the back of her car behind a club named the Tropicana. Okay, I made the name of the club up, but the rest is accurate.

In what appears to be many moments of the antique store being left in the hands of a 14 year old boy, Juice goes into the store and beats up Dodger. Why he does other than because he talked to his girlfriend is anybody’s guess. During the fracas, “Pandora’s Pail” is tipped over and the Garbage Pail Kids are unleashed on an unsuspecting, um, world, and not a moment too soon since Juice has just dragged Dodger into what is supposed to be a sewer but looks nothing like one and has just covered Dodger in shit. Upon retrieving Dodger’s shit-coated body, they awaken him by farting in his face, and I couldn’t be any more bored if I had been watching a David Lynch film.

We are introduced to the crew of misfits that Topps thought were deep enough to be deemed celluloid worthy: Valerie Vomit, Windy Winston, Foul Phil (who as far as I can tell doesn’t really fucking do anything), Nat Nerd, Ali Gator, Greaser Greg, and Messy Tessie. They are all played by really short people forced to wear the least convincing headpieces ever used in a movie. The faces barely move and are so off putting that it doesn’t matter what nasty habits the kids possess. I just don’t want to look at them.

Apparently normal people hate the GPK because they are ugly. It is in no way because they will fart in your face, vomit on you, or try to eat your toes and fingers. Nope, it is just because they are ugly. The movie’s only real joke that works is that in this town there is apparently a State Home for the Ugly. No one questions its existence but Dodger and Manzini just things it’s damn wrong. Needless to say the kids will end up there because they refuse to go along with Tangerine-Juice’s sweatshop scam.

I stopped giving a shit around the time of the pointless musical number. I kept getting distracted by chores (as did the person who reviewed this film for badmovies.org) and the undeniable feeling that I had wasted my life. This movie is such a staggering failure that it really isn’t worth writing about; why I bother to soldier on is anybody’s guess.

The movie is completely lifeless. No one seems to be enjoying themselves and is directed at a pace so slow that it feels like the characters are walking even though you can clearly see them running. It also doesn’t help that there appears to be only three sets that are constantly redressed and recycled, leaving the audience feeling like they have been sequestered. I have never seen a movie that screams out to be wacky and zany that ended up being this inert.

The movie can’t even get the logic of its titular characters right. Valerie Vomit doesn’t even do anything until the last ten minutes of the movie. In one scene the kids all go for a night out on the town and Ali Gator (oddly enough the one character other than Manzini that I didn’t want to kill) and Windy Winston go to a biker bar and get into a bar fight where Winston ends up saving the day.

My problem with this scene other than the mind boggling message sent to kids that a fart can end a fight, is that you already have a biker kid in the movie (Greaser Greg) and you instead have the fight broken up by a few weak kicks and a fart. That’s like having a knock-knock joke where the punch-line ends up being “to get to the other side.” Also, the GPK are apparently looking from their friends, but at the end when the kids are saved from the State Home for the Ugly, Manzini tells us they were too late to save the others. THEY ARE ALL DEAD. They were crushed by a trash compactor. The kids are just too damn happy to be saved that they don’t care all their friends are fucking dead.

The biggest sin this movie commits in the end, however, is that it writes checks its ass can’t cash. On paper, the prospect of a GPK movie should promise a level of grossness akin to a carnival sideshow. This movie isn’t even as gross as the parking lot of the same carnival. This movie doesn’t even deserve to be mentioned in the same paragraph as carnivals.